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La Chanelphile

January 24, 2012

Chanel Haute Couture Spring-Summer 2012 Presentation Video

Earlier today I reviewed the Chanel Joaillerie collection which pays homage to Coco Chanel’s 1932 Bijoux de Diamants collection that was inspired by celestial bodies. Later on, I reviewed the spring-summer 2012 haute couture collection that simulated a commercial space shuttle but it wasn’t until I saw the actual presentation video below that I saw the connection.

This is purely my own hypothesis, but I’m betting that Karl Lagerfeld is paying homage to Coco Chanel’s 1932 Bijoux de Diamants collection through haute couture fashion. It’s just a hunch but must me more than coincidence, no?

The video below also gives us some much needed close-ups of the hair pieces and the nail polish which looks like a shimmery powder/sky blue.

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Filed under: Chanel Haute Couture — Tags: , — La Chanelphile @ 11:49 pm

Air Chanel. Chanel Haute Couture Spring-Summer 2012

chanel haute couture spring summer 2012

“No Fifties, no Sixties, no Seventies. Just what I like.”
-Karl Lagerfeld, WWD

Chanel presented its Haute Couture spring-summer 2012 collection at the Grand Palais in Paris on Tuesday and the airplane window hint Chanel dropped on Monday was confirmed.  The Grand Palais was transformed into the interior of a “commercial space shuttle flight that, during the course of the show, left the Earth’s atmosphere and headed for space. Toward the finale, the Earth actually passed overhead, across the clear dome that allowed passengers a view of the starry sky outside.” (Style.com)

Having brought in an iceberg to the Grand Palais, surely bringing in and replicating the interior of an airplane must have been a piece of cake.  The set or “aircraft” featured a 164-foot aisle, double-C monogrammed carpet, modern seating – all complete with a bar cart (I wonder if they had double-C ice cubes?).

chanel haute couture spring summer 2012

Image from Chanel

Air travel not only inspired the set – but the color palette of the collection – a palatte Karl Lagerfeld called a “monochrome rainbow” though he was quick to point out that “I don’t have the blues.” (WWD).  Every shade of blue was represented – from nearly translucent and almost white to the darkest of midnight blues.

The true innovation of the show however came in the form of the new silhouette Karl showed: exaggerated boat neck collars, large bell sleeves, long skirts and hyper-dropped waists.  Known for playing with androgyny and borrowing from the boys (a legacy started by Mademoiselle herself), Karl said the very low waists (at about thigh level) were meant to look “like boys whose jeans are slipping off.” (Style.com).  The show came to a traditional close with the showing of a wedding dress though there was nothing traditional about the dress at all.  I love how Karl can adopt a new silhouette each season that looks completely new and unexpected, yet so classic and chic that it looks like it came from the Chanel lexicon.

I wish I could have seen the pieces up close because the amount of detail and workmanship cannot be appreciated from photos taken from so far away.  But even with the photos, you can tell that the garments are dazzling.  The embroidery and beading alone are gorgeous.  I also would have loved to see a close up of the shoes and the hair pieces.  Speaking of hair, it seems Alice Dellal is more than just the face of the upcoming Chanel Boy Bag campaign – she was also the muse for the hairstyles worn on the runway.

I’m hoping to receive more detail images of the beauty – curious to know about new beauty products and of course – nail polish!  Stay tuned.

Thank you for flying with Chanel.

All images except as indicated from Style.com

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Filed under: Chanel,Chanel Haute Couture — Tags: , — La Chanelphile @ 11:26 pm

January 22, 2012

Chanel Haute Couture Spring-Summer 2012 Sneak Peek

chanel haute couture spring summer 2012 sneak peek
Chanel posted the image above in reference to its upcoming Haute Couture Spring-Summer 2012 collection showing on Tuesday, January 24. It may be a part of the invitation – I’m not sure as there is no other information aside from the image itself. It seems Uncle Karl may be going for an aviation-inspired theme – can’t wait to see!

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Filed under: Chanel,Chanel Haute Couture — Tags: , — La Chanelphile @ 9:56 pm

August 22, 2011

Emma Stone in Chanel Haute Couture at The Help Los Angeles Premiere

emma stone in chanel couture at the help premiereEmma Stone looked stunning in Chanel Haute Couture, from the Spring-Summer 2011 collection, for the Los Angeles premier of The Help.  The dress is relatively unchanged from the runway version though it looks a tad longer.  Emma Stone matched her dress with a Chanel purse and Chanel Fine jewelry and nude pumps which elongated her leg.   Her soft makeup and ginger locks were a beautiful complement to the dress.  I’m not sure if it’s just a lighting issue, but the color of the dress looks different on the red carpet.  On the runway, the chiffon looked grey, while on the red carpet it looks greenish-grey.  Not sure if it’s the same color or not but both look lovely.

Images: Right – Just Jared; Left – Style

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July 20, 2011

Then & Now: Chanel Fall-Winter 2011/2012 Haute Couture Design Inspiration

karl lagerfeld sketch of chanel dress 1931

Karl Lagerfeld has adopted Goethe’s famous motto: “Build a better future by expanding on elements of the past.” At CHANEL he has changed nothing and everything, interpreting CHANEL in his own way with elegance and wit. He would have certainly met Mademoiselle’s approval, since her ideas also often created mini-revolutions before becoming the industry standard.

–Chanel Corporate

The above statement is on the Chanel website and it is eloquent and precise in describing Karl Lagerfeld’s deft hand in picking up where Coco Chanel left off.  You can see elements of Coco Chanel in all the collections but nowhere has this been more apparent than in the Chanel’s Fall-Winter 2011/2012 Haute Couture collection, appropriately called Les Allures de Chanel.

In the sketch above, Karl lends his hand to a dress that Coco Chanel designed in 1931.  The first thing I noticed was the peplum – many pieces in the Chanel’s Fall-Winter 2011/2012 Haute Couture collection highlighted this same very design feature.

Below you can see the 1920s influence of the flapper dress with low waist, straight silhouette and neckline with deep V detail.

chanel haute couture comparing coco chanel and karl lagerfeld

In the next image you can see a Chanel print that may have inspired the fabrication of the dress on the left.  The black fabric with pops of color seem reminiscent of the Chanel print.

chanel haute couture comparing coco chanel and karl lagerfeld

Finally, there’s the boater hat – the hat that started it all. The boater hat is the first hat that Coco Chanel started designing. She would buy them in bulk from the store and then customize them. Her simple straw hats were a fresh counterpoint to the heavily feathered hats of the day that made Coco wonder how women could think underneath all of that excess. Karl Lagerfeld knows the significance of the boater hat so I’m guessing that is why every model in the show was wearing one. An homage to Coco would be nothing without a boater.

boater hat chanel haute couture comparing coco chanel and karl lagerfeld

Unfortunately there are not a lot of images of original Chanel designs but I will continue to look for comparisons to see how Karl has taken the legacy of Coco Chanel and given it a current spin in future collections.

Image 1: Karl Lagerfeld sketch of a Coco Chanel dress designed in 1931, scan from Coco Chanel: The Legend and The Life by Justine Picardie, p. 193.

Image 2: Left: Chanel evening dress, 1923-24, scan from Chanel: The Couturiere at Work, by Amy de la Haye & Shelley Tobin, p. 37. Right: Style.com.

Image 3: Christian Bérard illustration featured in American Vogue, July 1937, scan from Coco Chanel: The Legend and The Life by Justine Picardie, p. 231. Right: Style.com.

Image 4:  Chanel wearing one of the first boater hats she designed to the horse races in 1910, Chanel and Her World: Friends, Fashion and Fame, p. 60. Right: Style.com

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July 15, 2011

Coco Vendôme – Coco Chanel and Place Vendôme

coco chanel place vendome coco vendome

As I mentioned in a previous post, the recreation of Place Vendôme for the Fall-Winter 2011/2012 Haute Couture show was significant because The Ritz, the place where Coco Chanel laid her head down to sleep is located in Place Vendôme.  It was a place that she was not only familiar with, but she lived there (she spent her days and entertained at 31 Rue Cambon but slept at The Ritz).  The show invitation gave us a preview of the set of the show which was a recreation of Place Vendôme complete with tower – except the statue of Napoleon was replaced with a robotic Coco Chanel (Metropolis inspiration post to come soon!).

Chanel News posted some more details about the historical significance of Place Vendôme that I’m re-posting here:

“Chanel and Place Vendôme are very linked. She lived in the Ritz, now there is a Jewelry shop, it’s very Paris, there are many photos of her on the place Vendôme. The big site of the Ritz is also still the Ritz, a part of the place Vendôme.” Karl Lagerfeld

From the 1920s onwards, Mademoiselle Chanel refused to “settle down” and stayed at the Ritz Hotel occasionally before she decided in 1937 to move in and rent a suite on the third floor.

Place Vendôme was one of her sources of inspiration. The octagonal cap of her first perfume, Chanel N°5 recalls its geometry and proportions. Later on, the Première watch equally reminds of this aesthetic.

Today, directly facing her suite at the Ritz is the Chanel Fine Jewelry boutique which opened at number 18 in 1997.

Photo: 1937 – Gabrielle Chanel at the balcony of her suite at the Ritz Hotel, Paris © Photo Roger Schall / Collection Schall

chanel fall-winter 2011/2012 haute couture show invitation

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July 14, 2011

Clemence Poesy in Chanel Haute Couture at Harry Potter Paris Premiere

clemence poesy in chanel haute couture at harry potter paris premiere

Chanel favorite Clemence Poesy wore Chanel haute couture from the spring-summer 2011 collection to the Paris premiere of Harry Potter And The Deathly Hallows Part 2. I was not a fan of the pants-under-skirts theme of the collection so I’m happy that she did away with the pants and opted for the skirt with bare legs. I don’t love the silver shoes but I think it’s because I’m so obsessed with the flats from the couture show that I won’t like anything as compared to them.

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July 11, 2011

Chanel Captured Moments

An inside view behind the scenes of the Chanel Haute Couture Fall-Winter 2011/2012 collection…

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Filed under: Chanel,Chanel Haute Couture — Tags: — La Chanelphile @ 5:22 pm

More Chanel Haute Couture Fall-Winter 2011/2012 Beauty Images

chanel fall-winter 2011/2012 beauty

Last week I posted images of the beauty at the Chanel Fall-Winter 2011/2012 show and I found more images from behind the scenes – I especially seeing Peter Philips at work.  I love dark smokey eyes and the eye makeup in the couture show was smoldering!  You can achieve the look by using these products.

Image Source

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July 6, 2011

Chanel Fall-Winter 2011/2012 Haute Couture Collection: Les Allures de Chanel

Chanel Fall-Winter 2011/2012 Haute Couture Collection: Les Allures de ChanelThe Chanel’s Fall-Winter 2011/2012 Haute Couture collection, called Les Allures de Chanel, was an homage to Mademoiselle and her mysterious charm. The Grand Palais was recreated into Coco Vendôme, a dark recreation of Place Vendôme, the home of The Ritz where Coco Chanel lived. There was an eery Film Noir mood with the set cast in black with neon lights outlining the structure and windows. Sitting high atop the center column was a robotic version of Coco herself, replacing the statue of Napolean that you would find at Place Vendôme. Models walked around the square – some say the shape that inspired the Chanel N°5 bottle – amid lampposts as if taking a late night stroll.

For Chanel’s Fall-Winter 2011/2012 Haute Couture collection it seems Karl Lagerfeld set out to answer one question: How many ways can I design a peplum? The answer is a collection that shows a vast array in many fabrics. The peplum was popular in the 1940s – the era of Film Noir‘s hey day.  Cascading, layered, tweed and beaded.  Any kind of peplum you could imagine was present.  My favorite was one worn by Stella Tenant (pictured above) with layered pieces of fabric that were all hand cut.  The peplum curves were echoed in rounded shoulders.

In contrast to the curves of the peplum drawing attention to the waist, we saw straight styles that eliminated the waist made popular in the 1920s, notably by Coco Chanel.  Many dresses in fact seemed directly inspired by collections designed by Gabrielle Chanel (stay tuned for an upcoming post with images!).  In addition to the straight dresses, another early Chanel reference was the boater hats that all of the models wore – a style that Chanel also wore and popularized.  Karl took us from the 1920s, to the 1940s and then to the 1950s when she returned to the world of fashion and gave us her infamous tweed suits.

Les Allures de Chanel has something for every Chanelphile to appreciate and admire.  I myself never tire of seeing all of the exquisite detail that goes into every item.  Even pieces that look simple are deceptively so.  That Karl can make something so intricate look simple is a testament to his genius.  I especially loved the lace over the eyes – something we’ve seen before in the Spring 2007 Chanel Haute Couture show – but something I don’t tire of.  From what I could see there was a seriously smokey eye underneath the lace veil – something that goes perfectly well with the Femme Fatale / Film Noir feel to the collection.  More to come soon on the set, inspiration and details of the collection.  For now, enjoy all of the images and videos…

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